I got too hyper.” When even the orgy-imagining Tim Robinson character concurs, you know you’ve gone too far. Episode 1’s second sketch has one such great moment in which team building the workshop water attacker realizes “What is even going on? My life is out of control. If anything this sketch could have used a followup look into Street Sets’ presumed spinoff business Jump Junkies.Īn I Think You Should Leave skit is often at its best when a character involved breaks kayfabe and takes stock of the sad mess their life has become.

It wisely understands that the joke here isn’t just about Fred Armisen beating up a fake child (though that would be pretty funny) but rather his frustration with the company Street Sets’ amateurish follow through. Street Sets has absolutely the right idea but not quite the best execution. It’s generally amusing to watch Patti’s character treat a cardboard cutout of her boss as a low rent voodoo doll but it never crescendos into the dextrous verbal nonsense you’d hope for. This season 3 sketch, however, quite simply doesn’t give her enough to do. Her previous three sketches (The Capital Room, Her Job is Tables, and New Copier) are all all-time greats. Through three seasons, Patti Harrison has been one of I Think You Should Leave‘s most lethal guest stars. But overall this episode 6 sketch is season 3’s slightest offering.

The ending moment in which Don talks himself into the false reality that the party’s stunned silence must mean they love the songs is funny enough (as is his subsequent offer to turn around so they can jerk off). Poor Don has been out of the game for awhile and can’t quite recover the magic art of dirty songs. Regretfully, we didn’t see the vision with Don Bondarley, king of the dirty songs. Sometimes you see the vision and sometimes you just don’t.

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